Featuring
Across the ditch and the USA
Kiwi's in the UK plus Jazz &
Country
Movie Crossover, Classical, Country
and Conclusions
Kiwi Music Gallery
The Kiwi underground scene
The legend of
Jesse Harper
(aka Doug Jerebine)
Billy T.K & Powerhouse album
(Lost 1972 tapes released by EMI)
Human Instinct
(The cult Kiwi band (past, present
and the new album)
Evan Silva
Kiwi Motown man
No
reason for Inferiority complex
(quote from Playdate 1966)
Introduction
For the first time in
decades the term “New Zealand music” actually means something greater
than the sense of cultural cringe that has crushed our sense of identity
in the past few decades. We’re buying local music and local music is
once again making an impact around the world.
For many young people this might
seem like a new thing but it is built on a strong legacy which began as
early as the 1950s when Kiwi talent, originality and sheer determination
saw many of our musicians, songwriters, film makers, writers, and
artists achieving success off-shore.
Hopefully these positive signs that signal Kiwis are once again prepared
to take on the world despite the obstacles signal a renewed faith in
ourselves, in the Kiwi ‘can do’ attitude that will ward off the vestiges
of cultural colonisation and give us the sense of national identity that
for so long has been lacking.
Back in the 1950s and early 60s our musicians were everywhere in
Australia - the cream of our showbands, rock
'n rollers, crooners and soul and pop outfits were footing it with
the best. Even today Australia continues to borrow our best and call
them their own. and when you look across to Britain and the US Kiwi
singers and bands are appearing in the charts, the clubs and on stage
affirming the old adage that if anyone can the Kiwi can.
Next
page: Across the ditch and the USA
Kiwis in
Australia and the United States |
No
reason for Inferiority complex
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"They’re everywhere; on records, TV, radio, cabaret and clubs.
New Zealanders have really made a mark on the Australian entertainment
scene. I think there would be at least one Kiwi in every pop band, hotel
band and jazz band in NSW…Maori groups are everywhere and work out of
Les Masliah’s Tiki Village at the Cross where the Quintikis and the
Ti-Kiwis do floor shows as is another knock out performer Freddy Tira.
Dinah Lee’s at the Oceanic and Brighton Hotels…Toni Williams is
laying them in the aisles everywhere he works. Max Merritt & the
Meteors are resident band at the Hawaiian Eye…(and is sometimes
replaced by Peter Nelson & the Castaways). The Pleazers are resident
at the Bowl and two familiar faces Johnny Dick and Ted Toi beam at you
from behind Billy Thorpe. You can’t turn the TV set on and not see
Sandy Edmonds or Bill & Boyd…And Graham Dent has a new singing
discovery under his wing Ja-Ar (Johnny Rowles from Kawerau) and Dave
Russell ex-guitarist from the Invaders now fronts Ray Brown’s new
group….The Chicks passed through on a whirlwind trip…the Maori
Volcanics are killing them in Tokyo and the Maori Hi-Fives and Hi-Quinns
are knocking them out in Los Vegas," Johnny Mann reporting from
Sydney, Playdate October 1966
"New Zealanders, both individually and as a nation, have tendency
to under-rate both themselves and their achievements. We feel, possibly
due to our global isolation that our products, ideas, art forms and
personalities are inferior to those of the Australians, Americans and
English (Tim Foreman of Air force Recording Studios in McGlashan
submission for NZ music quota 1990).
Next page: Across the ditch
and the USA (Kiwis in Australia and the United States)
Sources
and resources
A
need to know basis
From the editor: I need to know about Kiwi
international rock, jazz, country success, particularly in the 60s and
70s so we get the record straight. The future will takes care of itself
and where possible we'll include that but this is my effort to
archived the pioneers. Help me by submitting information, making corrections
or
supplying images. Email:
wordman@wordworx.co.nz
Kiwi Music Gallery (two pages of
photographs from Keith Newman's collection) |
Resources
and research
Bruce Sergent's thorough
site of Kiwi rock: http://www.sergent.com.au/
(Ray Columbus, Peter Posa and Max Merritt photos from Bruce's site)
The Kiwi Edge: http://www.nzedge.com/
Kimball
Duncan’s pages on the Australasian rock scene
http://www.milesago.com
Oldies website:
http://www.oldies.com
Andrew Schmidt:
http://www.ugly-things.com
Stranded in Paradise (John Dix)
Hostage to The Beat (Roger Watkins) 1995
When Rock Got Rolling (Roger Watkins) 1989
Endless research and interviews by Keith Newman.
Photographs: Ricky May, Frank Gibson Jnr, Mike Nock, Shona Laing
and Billy TK by Keith Newman
Individuals who’ve helped with key information so far:
Maurice Greer,
Suzanne Lynch, Dalvanius Prime, Phil Yule, Ray Columbus, Bill
Hester, Lynne
Thompson of Wild Rose Music,
Alison Poulsen, Andrew
Schmidt, Rikki Morris, Vicki Perjanik, Bruce Sergent, Kimball Duncan,Gray
Bartlett, Vaughan Rapata,
....
|
A need to know basis This
article will remain a living
document, open for updates, adjustments and changes until I find a good
reason to publish it in hard copy, along with other Kiwi rock history I
am gathering.
One or two sentence explanations containing quips, details and dates
about
offshore record sales or achievement by New Zealand musicians, bands, producers are
being solicited. Can you help? Email responses, updates, corrections to Keith Newman: wordman@wordworx.co.nz
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